Archäologie (DLXVI) : Zum In- und Auseinanderfallen von Dingen, Ereignissen und Zeiten - Vinyl sales made more than downloads last week
... weiß Fefe zu berichten: Neues von der Musikindustrie: Letzte Woche hat Vinyl mehr Umsatz gemacht als Downloads (in UK) :
Vinyl sales made the record industry £2.4m, while downloads took in £2.1m, the Entertainment Retailers Association (ERA) said.
It marks a big shift in music consumption. In the same week last year, vinyl albums made £1.2m while digital ones made £4.4m...
Kate Bush's live album topped the vinyl charts last week...
Das könnte auch hiermit zu tun haben: Digital killed the Radio Star: Warum irgendwann alle Popsongs gleich klingen werden (Netzpiloten): Über das ‚Million-Song-Dataset‘, Dr. Andy und Autotune ...
Ich wusste das nicht, habe mich nur immer gewundert, dass auf einem Sender wie N21 alle Bands klingen, als seien sie vom selben Produzenten getunt: Is dynamic range compression destroying music?
Back to Arnold Lane, Pink Floyd & Stéphane Grappelli ...
Pink Floyd – Cre/ation - The Early Years 1967 - 1972
View on YouTube
... als es noch eine (weibliche) Arbeiterklasse gab, die bei der EMI zB Rubber Soul produziert hat und die dem kritischen Bewusstsein seitdem etwas abhanden gekommen ist:
(*) Blake, Mark (2008). "Riding the Gravy Train". Comfortably Numb: The Inside Story of Pink Floyd. Cambridge, Massachusetts: Thunder's Mouth Press. p. 230. ISBN 978-1-56858-383-9. "Roy Harper wasn't the only special guest, or old friend to drop by the sessions. When it was discovered that classical violinists Yehudi Menuhin and Stéphane Grappelli were recording a duet at Abbey Road, [David] Gilmour suggested Grappelli come in and play a final violin coda to the song 'Wish You Were Here'. Grappelli haggled over his fee but finally settled at £300. In the end, his playing is virtually inaudible on the final mix. 'It was terrific fun, though,' recalled Gilmour. 'Avoiding his wandering hands.'"
Vinyl sales made the record industry £2.4m, while downloads took in £2.1m, the Entertainment Retailers Association (ERA) said.
It marks a big shift in music consumption. In the same week last year, vinyl albums made £1.2m while digital ones made £4.4m...
Kate Bush's live album topped the vinyl charts last week...
Das könnte auch hiermit zu tun haben: Digital killed the Radio Star: Warum irgendwann alle Popsongs gleich klingen werden (Netzpiloten): Über das ‚Million-Song-Dataset‘, Dr. Andy und Autotune ...
Ich wusste das nicht, habe mich nur immer gewundert, dass auf einem Sender wie N21 alle Bands klingen, als seien sie vom selben Produzenten getunt: Is dynamic range compression destroying music?
Back to Arnold Lane, Pink Floyd & Stéphane Grappelli ...
Pink Floyd – Cre/ation - The Early Years 1967 - 1972
View on YouTube
... als es noch eine (weibliche) Arbeiterklasse gab, die bei der EMI zB Rubber Soul produziert hat und die dem kritischen Bewusstsein seitdem etwas abhanden gekommen ist:
Re: Archäologie CCXCIII : Zum In- und Auseinanderfallen von Dingen, Ereignissen und Zeiten: Pink Floyd feat. Stéphane Grapelli
- Musikgeschichtlich sehr interessant: In den credits für Pink Floyds Wish You Were Here - immerhin No. 324 on Rolling Stone's list of the 500 Greatest Songs of All Time - fehlt Stéphane Grappelli - violin . There is a brief piece of violin playing at the end of the track which was subsequently all but drowned out by the addition of the wind effects, although if you listen closely or turn the volume up louder, starting at the 5:21 mark, the barely-audible violin can be heard. Grappelli was recording in a downstairs studio, and Gilmour had suggested that there be a little "country fiddle" at the end of the song. Grappelli duly obliged, although because his contribution is barely audible, the band decided not to credit him for it in the sleeve notes. According to Waters, he received the agreed fee of £300, however.(*)
Unter den jetzt veröffentlichten Unreleased Alternate Studio Versions (ich bin nicht sicher, ob das legale Veröffentlichungen sind!) findet sich diese Aufnahme, in der ab 3:08 Grapellis Violine wunderbar zu hören ist.
Fantastisch, - ein so noch nicht gehörtes, neues Stück!
Ich empfehle, diese Version zur gültigen Fassung von "Wish You Were Here" zu erklären und Stéphane Grapelli endlich die verdienten Credits zukommen zu lassen.
(*) Blake, Mark (2008). "Riding the Gravy Train". Comfortably Numb: The Inside Story of Pink Floyd. Cambridge, Massachusetts: Thunder's Mouth Press. p. 230. ISBN 978-1-56858-383-9. "Roy Harper wasn't the only special guest, or old friend to drop by the sessions. When it was discovered that classical violinists Yehudi Menuhin and Stéphane Grappelli were recording a duet at Abbey Road, [David] Gilmour suggested Grappelli come in and play a final violin coda to the song 'Wish You Were Here'. Grappelli haggled over his fee but finally settled at £300. In the end, his playing is virtually inaudible on the final mix. 'It was terrific fun, though,' recalled Gilmour. 'Avoiding his wandering hands.'"
gebattmer - 2016/12/05 18:48
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