Visions of Realitiy - The Mediation Between Inner Reality and the Outside World: Edward Hopper
Morgen werde ich eine Unterrichtsstunde miterleben dürfen, in der es (in einem Kunst-Kurs) um Edward Hopper's Morning Sun von 1952 gehen wird, - genauer: um die Beziehung von Raum und Figur. Sehr gespannt, wie die Schülerinnen und Schüler damit umgehen werden.
Interessant, was andere Künstler aus Hoppers Bildern bzw. Figuren machen. Zum Beispiel:
- Hopper Meditations - Photographs and text by Richard Tuschman
- Shirley - Visions of Realitiy. Ein Film von Gustav Deutsch. Hier der Trailer:
View on YouTube
Mehr hier behind the scenes
... und hier zu den Szenen: Melody Gardot - Worrisome Heart
View on YouTube
A consideration of Hopper's work would be incomplete without looking at some of his later pictures, in which his ways of seeing and painting achieved full fruition. In connection with one of his early painting, Lighthouse Hill, we postulated an observer whose "absolute" way of perceiving does not categorize objects according to their usefulness nor seek to possess them. This way of perceiving the world, however, was not achieved by any of the human figures depicted in Hopper's paintings. Not until his later works did a changed view of man appear. In Morning Sun, for example, painted in 1952, a person is portrayed for the first time as a fully perceiving being; the picture successfully depicts the mediation between inner reality and the outside world. (s.o.)
Interessant, was andere Künstler aus Hoppers Bildern bzw. Figuren machen. Zum Beispiel:
- Hopper Meditations - Photographs and text by Richard Tuschman
- Shirley - Visions of Realitiy. Ein Film von Gustav Deutsch. Hier der Trailer:
View on YouTube
Mehr hier behind the scenes
... und hier zu den Szenen: Melody Gardot - Worrisome Heart
View on YouTube
A consideration of Hopper's work would be incomplete without looking at some of his later pictures, in which his ways of seeing and painting achieved full fruition. In connection with one of his early painting, Lighthouse Hill, we postulated an observer whose "absolute" way of perceiving does not categorize objects according to their usefulness nor seek to possess them. This way of perceiving the world, however, was not achieved by any of the human figures depicted in Hopper's paintings. Not until his later works did a changed view of man appear. In Morning Sun, for example, painted in 1952, a person is portrayed for the first time as a fully perceiving being; the picture successfully depicts the mediation between inner reality and the outside world. (s.o.)
gebattmer - 2015/12/06 18:30
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