Geto Boys - The World is a Ghetto
War - The World is a Ghetto
Thanks to Junichi from POPLICKS for the puttin' Biochemical Slang on to Worldmapper.
WORLDMAPPER
realizes that the world doesn't need more maps that merely tell us
where to go. We've got GPS. Plus, we all know most boundaries found on
maps are nothing more than post-imperialism carving. Just ask Africa.
Just ask Southeast Asia. Just ask Central and South America.
WORLDMAPPER
has re-sized the world map, relative to the subject of interest.
Boundaries don't define who you are. What you do within those
boundaries defines who you are. How you spend your capital within those
boundaries defines who you are. Wanna talk prisoners? America easily
takes the cake.
Wanna talk military spending? America keeps growing and growing. Do YOU feel safer now?
Public
education spending? Once again, USA is number one. How are YOUR kids
sizing up, relative to the children of China and India?
How
about a RETURN on our public education spending? Not so much. Unless
you talk to the parents of China and India. They seem to be making a
RETURN on their investment.
Again, we may be the NUMBER ONE spender in public health dollars.
Unfortunately, that doesn't mean you'll get a bed in the emergency room when you REALLY NEED ONE.
Eff it. At least we have our alcohol and cigarettes. Reality is best served chilled, not stirred.
























































With her unique interpretation of Weill’s Seven Deadly Sins, Marianne Faithfull furnishes proof of the contrary. Taking the original version as a point of departure, Faithfull sings Anna’s part transposed down a full octave. (Linernotes)
Vladimir Semyonovich Vysotsky (or Vladimir Vissotski) was born and brought up in central Moscow. He made his living as an actor, joining Yuri Lyubimov's company at the Taganka Theatre in 1964 and performing there to the end of his life. He was a mainstay of the theatre's ensemble style, but also took the leading role in several epoch-making productions, notably as Galileo in Brecht's play, and then as a generationdefining Hamlet. Besides the theatre, Vysotsky regularly appeared in films, usually playing "bad boy" roles. Part of his stock-in-trade as an actor was the performance of songs to guitar accompaniment, and it was in this genre, delivering his own words, that he became more famous in his own lifetime than any other Russian creative artist.

Während sich alle über Oettinger aufregen (schmeckt ja auch wirklich nicht, die Billig-Plörre), weist Otto Köhler (

Und Bücher von Kosiek wie dies schon im Titel Unappetitliche ("Die Frankfurter Schule und ihre zersetzenden Auswirkungen") gibt es selbstverständlich auch bei 




